Judge Nerdd: Dragon Age: Redemption

A red-headed Elf? Hot.

Anyone who knows me relatively well knows my love of all things Dragon Age as well as staring at Felicia Day in any media format. When Bioware decided to bring Day into the Dragon Age world via an original web-series, I just about went insane with nerdy-glee. Felicia Day as an Elf-assassin? YES PLEASE!

After months of waiting, the first episode of Dragon Age: Redemption has finally arrived, timed to release with the Mark of the Assassin DLC for Dragon Age II, in which Day's character Tallis is also prominently featured. As a Elf enslaved by the Qunari, a race of grey giants, Tallis is sent on a mission to recover a mage (a magically endowed individual, for those of you who don't speak RPG), a dangerous and exploitable commodity in the Dragon Age realm. She runs into a loud-mouthed warrior and a good-lookin' Templar (mage hunter, employed by the church) and the plot thickens...



First of all, Redemption has a well-rounded cast for a low-budget web-series, but it still looks like a low-budget web-series. It has its qualities, but the camera-work needs well, work. They still take too long drawing focus on the simple stunts that they think are going to look impressive. When you give us time to look at a mediocre or non-involved stunt, we can recognize it as such.

With long-time hard-ass Greg Collins as the axe-wielding Brom and Doug Jones (of Pans Labyrinth/Silver Surfer/Abe Sapien fame) as the Qunari mage Saarebas, I've at least SEEN the actors before. The sets and costumes are fitting enough for the Dragon Age setting and experience, but aren't overly impressive on anyone besides Day. (Who looks really hot in it, by the way.) I'm also not sure how I feel about the Qunari's look at this point. As far as the weaponry goes, I wasn't buying it. Brom's axe looked incredibly fake and the CG-work on the blood... looked like a video game. The fight choreography is well-executed, but not every actor looks at ease with their equipment. (Looking at you Adam Rayner.)

After only one episode, I'm very mixed on Redemption. I really enjoy Felicia Day's work, but she could be a little looser and more creative with character choices. Still, she's the strong point of a series that hasn't really hit the ground running. It surely has time to recover, but it needs to quickly distinguish itself from fan-made films.

Judge Nerdd has spoken. I AM THE LAW!

Judge Nerdd: Breaking Down The Avengers Trailer

After the teaser that was shown at the end of Captain America: The First Avenger, comic book nerds around the globe have been frothing at the mouth for more footage from The Avengers. That desire was satiated slightly with Marvel's release of the official trailer.

Below is the YouTube link, but you can also go an download/view the trailer on good ole iTunes.



First of all: OMFG. I absolutely CANNOT wait for the summer of 2012. If the world ends before I can witness the amazeballs that The Avengers will be, I will die an extremely unhappy boy.

All of that being said, it is possible for Judge Nerdd to nit-pick as well. Here are some of my highlights and questions regarding the trailer:

-Looks to be plenty of in-fighting among the group, akin to The Ultimates storyline. I would also tend to believe Loki plays a small role in turning some of the team against each other at certain points in the film, being the god of mischief and all. I mean, Thor taking a vicious air-bound swing at Cap probably wouldn't be a normal reaction.

-Robert Downey Jr. will be on full display. The clear headliner, Downey's Tony Stark will likely steal the show from his costumed counterparts. I have full confidence in the entire cast, but RDJ won't be passed over.

-Would it kill Marvel to give me a little more Hawkeye? I am beyond pumped for Jeremy Renner's arrow-equipped marksman, but have yet to get enough of him in any of his appearances. Along with Black Widow and Captain America, he's going to take direct orders from Samuel L. Jackson and SHIELD, which could cause friction with the God of Thunder and the Man of Iron, neither of whom take direction well.

-And this may be the girliest of all my gripes, but what the hell happened to Thor's hair? He's been hanging out in Asgard so long that he finally switched stylists? It was clean in his own flick, but for some reason it needs to be slightly wavier and more tussled about when he's on a team.

-I love ending it with a glimpse of the Hulk. Whatever triggered his rage, you can be sure the Hulk is going to present a problem that the Avengers may have to solve at some point.

With all the set-up and back-story provided by the FIVE movies that preceded it, The Avengers won't need to waste any time getting into the action, which is exactly what this trailer showcases. I'm all in. You should be too.

Judge Nerdd has spoken! I AM THE LAW!

Aural Sensitivity Training: August 29, 2011

After a brief time off, I'm back this week for more audio recommendations. I'm also in the midst of planning out some exciting and fresh blogs for The Random Ramblings (with some guest writers as well), so keep checking back! For now, onto the picks!

Rihanna, "Shut Up and Drive"

Old? Sure. But still really good. Rihanna is so effing well-produced that I can't help but thump along. There's a great balance between her vocals and the heavy beats that pulse in the background of this single, making it worth the listen.

Natalia Kills, "Wonderland"

Once you get past the opening (which sounds like Gaga to a T), this dance-ready pop song really gets going with solid hooks. And the kicker? Right now it's free over on Amazon Music. So what are you waiting for?

Tim Urban, "American Fanfare"

Every time I hear this track, I feel like I'm sitting in on a recording session for a Hollywood movie score. And for some reason it's a film with Kevin Spacey. No idea why. Still, Urban's piano playing is dynamite.

The All-American Rejects, "The Wind Blows" (Skrillex Remix)

Having just picked up When The World Comes Down, I heard the original version of this song, which I have to say, kinda sucked. I much prefer the high-paced remix from the famous electro/house producer found on the Download to Donate album.

The Feeling, "Love it When You Call"

This tune is so much fun. If you're looking to get hooked on one new band, this song will be your gateway. Dan Gillespie Sells' lyrics and vocal quality is almost entirely matchless.

Be back next week for more training!

Aural Sensitivity Training: Lollapalooza Edition

So it might be a week behind, but I wanted to let you in on some of the best acts I saw in my day and 1/2 or so at Lolla. It was a bit of a last-minute trip, so I didn't get to see as many bands as I might have liked, but it was worth it nonetheless.

Oh I'm sorry, did you actually want to see the band?

My Morning Jacket

One of my favorite concerts of the weekend, MMJ was on top of their game. If you've never seen them live before, it's an experience. Their pure, classic rock and roll makes for one helluva show.

Damian Marley and Nas

So effing good. A mix of reggae and rap, this show was off the charts. This duo got the crowd jumping and never let up. Coming from someone who isn't a major fan of either genre, I was surprised at how much I enjoyed it.

Foo Fighters

I didn't get a chance to catch their entire two-hour set (needed a shower after all the rain and tons o' mud), but the Foo brought their best to Chicago.

Mmm... dancers.

Beats Antique

This group out of California has one of the best stage shows I've seen. David Satori and Tommy Cappel take turns at a variety of intrsuments (percussion, violin,) while another duo supported with a saxophone and clarinet in a fusion of European rock and gypsy/Middle Eastern music. Add in the sexy and talented Zoe Jakes as the frontwoman for their own group of dancers and you've got an entirely original show. Check them out.

Cage The Elephant

A wicked downpour could not drench the spirits of the rowdy fans for this equally rowdy Kentucky band. When "Ain't Not Rest For the Wicked" started, there was a raucous reaction. While they're not the greatest or most original hard rockers, they certainly entertaining.

What were your favorite acts at Lolla? Start the discussion below!

Judge Nerdd's Tips for Comic-Con

Alright Chicago Nerds, your annual Mecca has returned to Rosemont. If you've been there before, you might think you know how to best maneuver the chaos, but you could probably use a refresher. If you've never had your Wizard World cherry popped, then follow these rules closely. (They've been provided by three experts: Me, my brother and my sister.) You're welcome.

Ask to see something expensive/breakable out of its box first.


Because nothing's shittier than spending $100 on a sexy Poison Ivy statue only to discover that her hand is broken off. Look at it before you buy it.

Anyone in costume will gladly take one with you.

But do you really need a picture with overweight Superman? Also, avoid walking in front of someone else's photo.

Check the schedule.


If you want to get a comic signed, need to see a panel, or want to know when Patrick Stewart is signing, be sure to plan your day ahead of time and look at the handy schedule of events. Lines form early for most events, especially the ones you want to attend,


Gauge your price points ahead of time.


If you can get it on Amazon for $40, don't pay more than $50 for it at the convention. Know your breaking points on any collectible you're looking for and save yourself money in the long run.


Go in the vintage porn booth if you want.


Seriously. Loitering outside of it isn't fooling anyone. Just go in and browse like a man.


Pay for parking on your way in.


Trust me. They'll be a hella-line on your way out.


Try not to buy anything on your first pass-through.


Because you might see that Wonder Woman bust for $60 at one booth, but you'll likely see it for $45 three booths down after you impulsively buy it. Take a photo or write a note to remember where/what you wanted and head back there if you don't see it for cheaper.

Autographs cost money.

Why else do you think all these "celebrities" show up? Old retired wrestlers don't just show up to shake hands with their 40-year old fans. They get straight-cash homie.

Don't stop in the middle of an aisle.

I don't care if you HAVE to get a picture of silver-haired minx in the Black Cat costume. Other people are going to held up because you just nerd-gasmed.

Hot chicks that talk to you are trying to give/sell you something.

If they're in costume, it's a 50/50 proposition. But if they're in a cute nerdy t-shirt and jeans with a stack of something in their palm? They're going to smile and hand it to you.

Pack a lunch.


Why waste valuable money on overpriced convention center grub? Three days of 5 dollar hots dogs and 3 dollar sodas is a lot of dough. Spend that money on what you came for. Nerd shit.


Wear comfortable shoes.


This one is pretty obvious.


You're not selling your comic collection here.


Most dealers are looking to unload, not bring home a new inventory. That entire run of Grant Morrison's JLA should stay at home. Besides, that's too much heavy lifting.


Don't make your girlfriend/boyfriend come unless she legitimately wants to go.


Otherwise they're just going to be annoying and slow you down.


Backpack it.


If you are planning on getting more than a few comic books, a tiny messenger bag just won't cut it. Bring a backpack and maybe pack an earth-friendly tote bag. Otherwise you'll be making frequent drop-offs at the car.

Brace for nasal impact.

'Cause some nerds smell.

Wear deodorant.

'Cause you prolly smell.

Bring cash.

Some booths do take credit cards, but a healthy stack of green is advised.

Any other tips? Share them below!

Judge Nerdd: Warner Bros releases Superman & Catwoman images!

It's been a fun couple of days of reveals from Warner Bros. Pictures. Earlier in the week, the first glimpse of Henry Cavill as Zack Snyder's Superman was released. Now, Warner Brothers has put forth the first image we have of Anne Hathway in The Dark Knight Rises. I'm all tingly.

Time for some Nerdd-flavored judgement!

Photo: Warner Bros. Pictures

First off: Two words. Bad. Ass. 

Secondly, it doesn't look too different from the Superman Returns get-up, except for some darker tones and a crazy long cape. Great look so far.

And now for the hot part...

Photo: Warner Bros. Pictures

Delicious. She's definitely going to be taking a page out of the current Catwoman's book with a more functional, tech-savvy ensemble. And they gave her goggles. Sweet.

That being said, isn't there going to be something that makes her... ya know, stand out as a cat in some way? Or will she simply be "Selina Kyle: Super Burglar?" That remains to be seen, but one thing I know for sure: I have a hard time looking away from Anne Hathaway normally, but in this outfit? Fuhgeddaboudit. Anyone else in this movie will be lucky to get my attention.

Nerdd Judgement over. I AM THE LAW!

Thoughts? Comments? Hathaway oogling? Leave 'em below!

Aural Sensitivity Training: August 1, 2011

Back for more schooling are you?Yeah... you know you like it.

The B.S Report, 7/27 with CM Punk

I have all the respect in the world for Bill Simmons, who not only crafts a hilarious and intelligent sports column, but hosts a hugely successful podcast. Simmons is a long-time wrestling fan, so when I heard he brought in WWE Champion (one of two) CM Punk in for an episode, I knew I had to listen. CM Punk has an extremely unique personality and brings an unadulterated view of the business. Any WWE fan should download this podcast.

The Guild, "Game On"

After the hot-sauce that was their first music video "Date My Avatar," popular web-series The Guild couldn't resist coming back for more. This Bollywood-inspired tribute to gamers cannot be missed. Also, enjoy looking at Felicia Day.

Metric, Fantasies

These Canadian electro-poppers need to be on your iPod, STAT. Emily Haines' vocals are brilliantly entrancing on this 2009 release. Songs you need to listen to: "Help, I'm Alive," "Gold Guns Girls" and "Gimme Sympathy."

Collective Soul, "Heavy"

One of my favorite songs ever. An oldie but a goody, this track kicks off with some side-switching guitars and never lets up on the rock. It's awesome to see these guys are still kicking and producing music.

Sophe Lux, Waking the Mystics

So imagine Queen... fronted by Kate Bush. Now name them Sophe Lux. This is that band. Do I really need to go any further? Best tracks: "Lovely Girl," "Little Soldiers Of Time," "Lou Salome."

It's late. Load up your iPod and get to bed.

Aural Sensitivity Training: July 25, 2011

No time to waste in this week's Aural Sensitivity Training. Let's get right to the audio!

Barenaked Ladies, "Falling For the First Time"

Sifting through the endless BNL catalog, this is the one song I can listen to at any time. Even though their trademark humor isn't found, it's easily one of their best tunes.

Ben Folds, "Annie Waits"

Oh Ben Folds. There is nothing wrong with you. I remember how worried I was when you left the Five and prepared for a solo release. Then this song kicked off Rockin' the Suburbs and everything felt better.

Chantal Kreviazuk, Ghost Stories

If you haven't heard of Miss Kreviazuk, drop what you're doing and listen to one of her tracks. A descendant of the Tori Amos line of female musicians, her piano-playing and imaginative lyrics speak to all walks. Some of Ghost Stories' best tracks: "Time," "All I Can Do," and "Waiting For the Sun."

The Corrs, "Long Night"

How I ever mentioned how much I love The Corrs? I mean, they're awfully easy on the eyes as well as the ears. Look for evidence no further than the video for "Long Night." Who can honestly tell me Andrea Corr isn't uber-hot? I mean... the girl can sing.

Garbage, "Why Do You Love Me"

Found on the Wisconsin group's last new release Bleed Like Me (in 2005), this song is my clear-cut favorite off the disc. Pounding bass, raucous guitar riffs and killer vocals from Shirley Manson make this a mainstay on my playlist.


Thanks for coming back for another week of AST. You guys are awesome. Be here next week for more!

Movie Night: Captain America: The First Avenger

Saving the Best for Last?

After releasing Thor earlier in the summer, Marvel Studios caps off the Superhero Summer of 2011 with Captain America: The First Avenger. Set in the 1940's during the midst of World War II, the tale serves a dual-purpose as not only a superhero flick, but a period film as well. With its setting separating it from the other titles in the Marvel movie series, Captain America brings a completely different world onto the screen. Full of vibrant characters and retro-futuristic technology, The First Avenger is undeniably fun and entertaining. However, what makes it Marvel's best release is the story. The ascension of Steve Rogers into the legendary Super-Solider is expertly propelled by a polished script which definitely was the recipient of a Joss Whedon once-over.

While Steve Rogers isn't as entertaining a character as Tony Stark or as all-powerful as Thor, his story is the most human and therefore, most relate-able. Chris Evans has enough talent for the role, which takes him from a scrawny, determined kid from Brooklyn into a muscle-bound leader of men. Watching him earn his power as well as the respect of his peers and superiors is an altogether inspiring journey. Evans not only acts the part, but he completely looks the part as well. With a training regimen that must have been hell, Evans bulked up considerably from his already muscular physique into the spitting image of Steve Rogers. It's undeniably impressive. And thanks to Hollywood magic, special effects are able to slim down Evans into his skinny pre-Cap self and avoid the dreaded body-double.

Dude's got muscles.

Equally as effective, Hugo Weaving has little trouble giving the Red Skull a realistically maniacal bent. Cap's arch-nemesis has never looked better. With a backstory that is not only original but makes sense for the villain, the leader of HYDRA's utterly evil ambitions and entirely fitting.

Rounding out the cast are several dynamic personalities. Stanley Tucci is delightful as Dr. Abraham Erskine, the scientist who develops the Super Solider formula. Tommy Lee Jones is well, Tommy Lee Jones. He gets great lines as the Colonel in charge of Cap's training and unit. As the only female in the entire cast, Hayley Atwell is uniquely stunning as Peggy Carter. She doesn't have the typical looks or dialogue of a woman in a superhero flick (a good thing), but definitively belongs in this 1940's environment.

The story is clear but manages to cleanly connect with the other Marvel movies in a build-up to The Avengers mega-movie in 2012, thanks to appearances from the Cosmic Cube and a young Howard Stark. The fight scenes (few as they are) are always fun, especially since Cap gets to beat up on Nazi scum. (Who doesn't enjoy seeing that?) His final costume (as he goes through a couple versions, including a stint in the classic) looks the part of a 1940's soldier, with updated material and armor. And the shield is spot-on and realistically worn. (I mean, it's not as is vibranium is red, white and blue.)

While I will not spoil how the film ends, it is befitting of Captain America's memorable and emotional transition into the modern age. (Look to the Ultimate line of comic books for the source material.) And if you haven't heard, DO NOT leave before the credits are over. It's more than worth it and has left me anxious and supremely impatient for 2012.

After seeing four comic books brought to the screen this summer, I can say one thing for certain: Captain America: The First Avenger is the best of the season. (Sorry X-Men. You were awesome.) To me, it's even be the best film under the Marvel Studios banner thus far. However The Avengers is received, one thing is for certain: Marvel has done their job giving these characters their own fully-developed franchises. And finally, The Avengers have their leader.

Aural Sensitivity Training: July 18, 2011

Who needs more training? You do! So start scrubbing the musical poop-deck ya wanker! (Or whatever that insult is supposed to be.)

Alanis Morissette, "Crazy"

With as crazy as I am about Alanis (yes I said it), I'm surprised it took me this long to get her into the curriculum. "Crazy" is the previously-unheard single that rose from her 2005 greatest hits disc, The Collection. It's a tremendous cover of the classic Seal hit. Pick it up as a single if you already have her other albums.

Apocalyptica, 7th Symphony

If you've never heard of them, Apocalytica is a trio of classically trained cellists from Finland... that play metal.  Cameos from Gavin Rossdale (Bush) and Lacey Mosley (Flyleaf) helped put this album at the top of my playlist.

Imogen Heap, "Tidal"

Ellipse is such a solid album with several stand-out tracks, but "Tidal" might just be my favorite. Heap has a distinct vocal quality that effortlessly floats above her light-pop background. Try to not like it. I dare you.

The Naked And Famous, "Punching In A Dream"

These New Zealanders are stomping onto the indie pop scene. Their third single off Passive Me, Aggressive You is still getting decent airplay, and rightfully so. 

Arcade Fire, "We Used To Wait"

Hey... have you heard of this band? They're kinda popular... and kinda good. The vocal mix is excellent and the instrumentals are full and rich. But stop listening to me... just listen to the song.

Be back next week for another edition of AST!

Aural Sensitivity Training: July 11, 2011

Ready for another helping of audio enhancements? Your Aural Sensitivity Training begins continues!

Sarah Jarosz, Songs Up In Her Head

It's a fact: we all need a bit of bluegrass in our lives. Enter Sarah Jarosz. Her 2009 debut Songs Up In Her Head is not short on memorable tracks. (And it honestly reminds of Deadwood, which is ALWAYS a good thing.) Sample "Tell Me True," "I Can't Love You Now" and "Mansinneedof" if you want to get hooked. Then get her 2011 follow-up Follow Me Down.

Chris Hardwick, The Nerdist Podcast: Episode 102 with Alison Haislip

If you haven't downloaded an episode of Chris Hardwick's podcast, you've missed the nerd-wagon. But don't worry, it doesn't move that fast. Get on board with this episode featuring Hardwick's co-worker at G4TV and social media guru of The Voice, the sexily nerdy Alison Haislip. Their banter (along with podcast helpers/co-hosts/guys who talk too much Matt Mira and Jonah Ray) makes this particular episode uber-funsies.

Linkin Park, "Burning in the Skies"

The first single off their newest album A Thousand Suns, "Burning in the Skies" is classic Linkin Park. And I mean that in the best way possible. On an album that really breaks itself apart from their catalog, this track reminds fans of what made this super-group so popular.

Sevendust, Cold Day Memory

I may not be all about the metal, but Sevendust has kept me rocking for years. Their 2010 release keeps that streak going with a fervor. Unlike a lot of metal groups, you can actually understand their lead singer, the bad-ass Lajon Witherspoon. As awesomely hard and as loud as they are, their best work may be the moments when they drop into their subtler side. (A good sign of a multi-faceted metal band.) "Unraveling," "Karma," and "Here and Now" are must-listens.

Sara Bareillies, "The Light"

Perhaps the best song off her latest, Kaleidoscope Heart, I can't help but press play on "The Light." Bareilles may be known for her bright and poppy piano tunes, but this softly spoken ballad with a driving piano track is just as infectious. After listen 247, its emotional undertones haven't been diluted at all.

See you next week music-lovers!

Aural Sensitivity Training: July 4, 2011

There may have been a holiday, but Aural Sensitivity never takes a day off! Your training continues with another group of choice audio selections from yours truly.

Sick of Sarah, "Kiss Me"

Just one of many dynamite songs on a killer album from the all-girl band, "Kiss Me" has it all. Stand-out vocals from Abisha Uhl, smooth bass lines and great punk riffs will keep your toe tapping.

Lady Gaga, "Marry The Night"

The opening track to Gaga's newest album, "Marry The Night" partners her awesomely off-the-wall lyrics with some poppy electric keyboarding and gritty guitar mixing for a helluva match. This is the first of many guilty pleasure tracks from Born This Way.

KT Tunstall, "Uummannaq Song"

KT's bluesy sound has been catching my ear for years now, and her latest album was no exception. Even if I can't say the title correctly, "Uummannaq Song" is phenomenal.

Freelance Whales, "Kilojoules"

If you've been avoiding good music, then you probably haven't heard anything from indie rockers Freelance Whales. "Kilojoules" could place frontman Judah Dadone squarely on the map with his wonderfully light tones and fuzzy lyrics. Well, I feel warm and fuzzy when I listen to it. Screw you.

ESPN, ESPN: Football Today

I know. There's no football. It sucks. To help get through (and keep up with) the lockout, ESPN's football-only podcast is the source for you. New episodes release most Tuesdays and Thursdays. Ross Tucker gives analysis from an ex-player and ex-pro and collegiate scout Matt Williamson can break it down like no one I've ever heard. M-Dub tackles everything from personnel moves to to game strategies to on-the-field techniques. He's a know-it-all who actually knows it all. Oh, and producer Jay Soderberg brings the fan's perspective. (Even if he is a Patriots fan.)

'Till next week everyone! Keep up your training!

Movie Night: TrollHunter

The best movie about a film crew following an old guy who tracks Norwegian creatures of lore you'll ever see.

Stepping away from the sci-fi/superhero blockbusters that are littering this summer, I was all too anxious to get to a theater for the Norwegian, low-budget fantasy mockumentary TrollHunter. Made for a modest three million, the POV-style film's suspense and wonderfully downplayed special effects will keep you locked to your chair.

TrollHunter (or Trolljegeren in Norwegian) has a fairly basic premise. A collegiate film crew is tracking down the whereabouts of a supposed poacher who has been illegally killing bears. After repeated attempts to interview the man, (expertly played by Norwegian comedian/actor Otto Jespersen) the trio of students follows his movements for several days, leading them out in the middle a dark Norwegian forest one night. After losing sight of him, the crew is shocked when the man runs back into frame and can only muster the cry of "Troll!" It is then that they discover the man's true occupation: he is a government-funded operative charged with hunting and containing the Norwegian trolls of legend. After that the mockumentary chronicles the hunter as he investigates a series of inter-connected incidents that leads him to a confrontation with the most dangerous troll of all.

What isn't to love about that plot? Loose as it is, it leaves plenty of leeway for the film to take you on a tour of Norway's gorgeous landscapes as well as its folklore, which it borrows from liberally. TrollHunter takes the troll and twists into a real life mammal, complete with some of its trademark characteristics. Turning into stone when exposed to sunlight and smelling the blood of a Christian are just a few of the traditional traits they apply to the film versions of these fantastical creatures. They avoid making them hokey or childish at any point, instead focusing on the extreme danger they can pose when in the proper setting.

Obviously, a movie based on a man that hunts trolls is going to have moments of levity. However, they were far fewer than I had expected. While it doesn't take itself too seriously, the film doesn't let you move past the inherent fear of the unknown which could be lurking around any corner. If these characters couldn't relax, neither could I. As characters, none the film crew is given much depth, which sadly may detract from any emotional investment on the viewer's part, as aside from the troll hunter himself there are only a few other named roles.

In regards to the trolls, they're certainly a treat at which to look. Coming in a variety of forms and sizes, the Norwegian creatures are given a decent scientific explanation (relative to other movies of TrollHunter's ilk). While some of the trolls the crew encounters are seen through slightly fuzzy night vision, any clear shot of the trolls is always a good one. Not cartoony in the slightest, the trolls are realized with a gritty, almost prehistoric nature. (Think the trolls from Lord of the Rings trilogy.) At no point in the movie will you find yourself saying "That looks dumb." And in a creature feature, that's a tremendous compliment.

Without a advertising campaign, a bankable American star or flashy effects, TrollHunter illustrates some of the best that foreign films have to offer. Norway's deep, immersive national mythology lends itself to films of this genre, keeping it based in a legitimate (if still make-believe) mythology. If you can find a theater playing TrollHunter, make to sure to buy yourself a ticket. It's an effing fun ride.

Aural Sensitivity Training: June 27, 2011

Back for more are you? Let's not waste time this week with idle chatter. Get your training on!

Rachel Platten, "1000 Ships"

Among the countless pretty piano-playing popstresses, it's hard to judge what's worth listening to and what's to be put in your "over it" pile. Platten's single is easy on the ears and is ridiculously fun. Unless you're a douche, of course.

Shiny Toy Guns, "Ghost Town"

For those of you that need something a little... harder, this track of the electric indie group's Season of Poison disc will more than fill your appetite. Their high-powered electric riffs mix with strong performances from their singing duo to get your blood pumping.

Florence and the Machine, "I'm Not Calling You a Liar"

While the version found on their album is stellar, the remix found on the Dragon Age II sounds track is sheer brilliance. Welch's mind-melting vocals are backed up with richer instrumentals (mostly stringed), creating a sound that is befitting of the ending credits for a 35-hour adventure. Jack up the volume and lose yourself in awesome.

Grace Potter & The Nocturnals, "Hot Summer Night"

So how sexy is this band? If you haven't heard anything their self-titled disc, do yourself a favor and buy this one. With guitar stylings straight out of the 70's and Potter's grooving belts, you will not be disappointed. 

Darling Parade, What You Want

This three-track EP from the still relatively-unknown power-pop foursome leaves you wanting. With so few tracks there's no room for error, but Darling Parade doesn't miss on any track.  They'll get you singing along in no time.

Be back next week for more training!

Movie Night: Green Lantern

That'll Do Hal, That'll Do.

Anyone that knows me personally is well aware of how long I've been waiting for a Green Lantern film. Behind Spider-man, GL is a close second for my favorite superhero ever. The ever-changing settings, the space drama, the bad-ass ring, and the propelling theme of controlling your emotions and harnessing your willpower hooked me from the moment I started reading. Ever since I have become so entrenched in the Green Lantern universe that it and Green Lantern Corps are the titles I look forward to reading the most. So believe when I say I was more than anxious as I waited for a midnight showing to commence featuring the emerald ring-slinger.

Back when I started reading the comic series in the 90's, I knew the technology to bring the lantern story to the screen simply didn't exist. In 2011, not only does the technology exist, but the financial backing for superhero movies has never been more forthcoming. So enter Green Lantern, a movie with a more than solid cast and a whopping $200 million budget.

Let's start with the hopefully bankable star of this production: Ryan Reynolds. As Hal Jordan, he's wittier than I'd like him to be. No offense to Hal, but the guy just isn't that funny. He doesn't have a lot of one-liners. Unfortunately, Reynolds is too effing funny/sarcastic/annoying to not have a few zingers in the flick. That being said, I certainly expected more of them. He's got the looks and he's got the chops, so who am I to complain about a studio wanting someone entertaining in the role? He may not have been my first choice for Hal, but he's certainly not at the bottom.

As far as the Green Lantern Corps goes, I have no complaints whatsoever. Mark Strong is absolutely spot-on as the legendary and ferocious Lantern Sinestro. The intensity behind Strong's eyes bring life to the character and set the stage for one of the most significant aspects of the Green Lantern mythos. Tomar-Re and Kilowog are voiced by the talented Geoffrey Rush and Michael Clarke Duncan, respectively, perfectly capturing the essence of two storied members of the Corps. As for their leaders the Guardians, I thought they were aloof and arrogant enough in the time they're on screen and were exactly how I would have imagined them. I desperately wanted to see more of the lantern forces, but this was definitely more of a Hal Jordan story than a tale of the Corps. Maybe next time...

For the story's main villain, enter Parallax. A deep history in the comics, the Parallax of the film has been tweaked a bit. He's still a representation of fear, but instead of a cosmic entity that IS fear, he's a former Guardian infected and consumed with the yellow energy that is fueled by fear. It worked for me. I never expected them to create glowing alien life forms in the color of the spectrum, so this was a way to work a Parallax into the film.

On the terrestrial side of the movie, I was surprised by how not annoyed I was by Blake Lively. I knew she would be easy on the eyes, but she never once felt like a throwaway character to me, even proving useful in a fight scene. (Didn't see that coming. Good for her.) She may not have been as ballsy as her comic counterpart, but she proved a equal opposite to Reynolds. Peter Sarsgaard gets downright creepy as Hector Hammond, the evil, large-craniumed telepath. Angela Bassett even shows up as government powerhouse Amanda Waller, a nice surprise for fans of of the DCU. Still, she's not as... forceful as you would expect her to be. Some of the surrounding characters aren't that memorable, but it's a comic book blockbuster. Not every character gets to develop.

As the advertising clearly shows, Green Lantern is a 3-D summer superhero blockbuster. And I do mean, blockbuster, so you will have the occasional moment of near-cringe-worthy dialogue and the over-the-top special effects. However, there is a grand central theme of the will to overcome fear that serves as an anchor which with the film grounds itself. There's no particularly weak performances and the CGI does a fantastic job of putting form to the ring's abilities. Even the costume looked great to me after seeing on screen for two hours, instead of the glimpses in pictures and commercial snippets.

Maybe I'm softie for one of my favorite superheroes, but I was more than entertained by Green Lantern. I've seen and heard from plenty that found it horrid or boring, but not I. Could it have been better? Abso-freaking-lutely. It felt dumbed down a bit from the direction the comic book has taken over the past few years, but I think that's a necessity for GL so that the story is a bit more accessible to those new to the hero. (Though what's not easy to understand about space cops? It's AWESOME!) Unfortunately you'll almost have to see it in 3-D, which still underwhelms me every time I'm forced to endure it. Weak, yo.

If you're looking for a few fun hours at the movies, Green Lantern will do the job. It may not be the "Epic Space Opera" that the fanboys were looking for, but that's what sequels are for, fellow nerds. Try to enjoy the ride.

Aural Sensitivity Training: June 20, 2011

Are you scouring the internet looking for new music? Do you need validation for some of your guiltier audio pleasures? Haven't found the right podcast yet? Fear not friend. Each week at The Random Ramblings I'm going to offer up five personal audio selections (ranging from albums, songs, podcasts and whatever else one can listen to) for your perusal. Let's get to your training!

Ellie Goulding, Lights

This album is going keep your ears buzzing with superb hooks and well-plotted lyrics. She feels like a mix of Kylie Minogue and Sarah Bareilles, which is more than alright in my book. I love every song, but "Your Biggest Mistake" and "Starry Eyed" are some of my favorites off this disc.

ESPN, The Michelle Beadle Podcast 

Maybe you can't gawk at Michelle like you do when she hosts ESPN's Sportsnation, but the Beadle is in full force for each installment of this fledgling podcast. She's hilariously awkward, astoundingly blunt and knows more about sports than you do, even if she doesn't talk about it as much as you'd like. Definitely worth a listen for the casual sports fan.

Silversun Pickups, Pikul

If you never picked up the 2005 debut EP from this killer indie group, then you're missing out. The band's mellower side is on display for these seven tracks, but their trademark gritty sound is omnipresent. Snag it if you haven't yet.

Taryn Southern, "Keep It In Your Pants"
Not only is she stunning and funny as hell, she's also pretty talented. Still, don't take my word for it. Just watch.


You're welcome.

A Perfect Circle, "Weak and Powerless"
After the brilliance that was Mer De Noms, Thirteenth Step was awfully disappointing. Still, this track stands out for the awesome-sauce that it is. Makes me reminisce of old-school Tool. (Which would be weird if their lead singer wasn't the same guy. That makes it okay.)

Hope you enjoyed your training! See you next week!

The (music) Video Store: Katy Perry's "Last Friday Night"

Sheer Cotton Candy

Hey guess what? Katy Perry just released a new music video... and I found myself at least somewhat amused by it. After the disappointment that came with "E.T." (when paired with Kanye, coincidence perhaps?), Perry has chosen "Last Friday Night" to be her newest visual aide from Teenage Dream. Taking the setting of an 80's teen comedy, "Last Friday Night" features Perry as a dorky, unattractive and poorly put-together teen who has a crazy night when her neighbor throws a wicked party. But why am I explaining a music video's plot? Just watch. I've got all eight minutes of the video below.



While there are plenty that will (and often do) complain about Perry, her music or her style, I can't help but be entertained by her. While Lady Gaga videos are that mouthwatering foreign delicacy that you wound up ordering, Perry's entries are pure cotton candy. Sure they're airy and won't fill you up, but they come in bright colors and taste of pure sugar. Sometimes you don't want to be adventurous, sometimes you just want fun and "Last Friday Night" definitely fills that void.

Watch it, if only for the somehow fugged-up Perry and the cameos from Kenny G. (you read that right), Corey Feldman, Debbie Gibson and Hanson.

Please get hot.

Movie Night: X-Men: First Class

A Prequel Worthy of the X-Franchise

It had been five years since the last X-Men movie came out to mixed (at best) reviews. Nerds (not including myself) had almost universally panned the film, referencing its unnecessarily of killing integral characters and claiming director Brett Ratner had ruined the series. Sitting in the theater Thursday night before a midnight showing of X-Men: First Class, I was fighting feelings of apprehension and X-citement. Would this prequel justify the long wait? Could it compete in a summer of no less than four superhero blockbusters?

Readers, I have no trouble saying to you the answers to both questions are a resounding yes.

James McAvoy (Charles Xavier) Michael Fassbender (Magneto) are not just competent, they're absolutely X-emplary. McAvoy's outstanding realization of the brilliant yet flawed future leader of the X-Men grounds the film, allowing viewers to see emotional center of the team as he aids and inspires his fellow mutants.

However, as much as McAvoy shines, the luster of this movie comes from Michal Fassbender's interpretation of a young Erik Lehnsherr. On a hunt for the Nazi scientist that killed his mother, the eventual leader of the Brotherhood spends the first half of the movie as a super-powered James Bond, traveling the world, garbed in the best menswear the 60's had to offer. (Yes, I commented on his fashion. Eff off.) Despite the awesomeness of these early scenes, it is when Lehnsherr meets Xavier that Fassbender's best moments are carried to the screen. Watching a young Magneto learns to control and focus the anger that has fueled his search for so long leads to emotional breakthroughs that Fassbender brings to life so X-pertly. Plainly put, the dude can act.

Fassbender...is...GOD! (My new catchphrase. You like?)

Sure, there are a few holes that can be pointed out. Isn't Alex Summers supposed to by Cyclops's brother? What's he doing in 1963? It never seemed that Professor X or Beast had that strong of an emotional connection to Mystique in the first three films, but wouldn't you think Xavier would be torn apart every time he saw her? How does Moira MacTaggert transition from a super-sexy sixties CIA operative to the Doctor we see for a brief time in X-Men: The Last Stand? Unless you're heavily entrenched in mutant lore, these deviations shouldn't affect you in the slightest. In the universe these films have created and are forced to cover, there's not enough room to satisfy the comic book history of every popular mutant or X-Men-involved character. Get used to it. You're lucky Banshee ever made it into an X-film.

As far as the rest of the cast goes, I honestly couldn't find an obvious weak link. The younger actors (aside from Jennifer Lawrence, who succeeds as a young and insecure Mystique), don't get enough screen time to themselves to wreak any real havoc. They're almost always on screen with Fassbender or McAvoy, or they're splitting up dialogue within their own group, which keeps them on point. Nicholas Hoult X-cels as a young Hank McCoy, a genius determined to reverse the outwardly conspicuous aspects of his mutation. Myself, I fancied Rose Byrne (MacTaggert), who is absolutely stunning and keeps her end of the acting bargain, though the character is too often forced to be a human stand-by in a film of mutant confrontations. (Seriously though? Stunning.)

On the villainous side of life, Kevin Bacon adequately performs as a somewhat subdued Sebastian Shaw. Shaw serves as a physical foe for certain, but in this film his role is as a diabolically evil political strategist who  stages the Cuban Missile Crisis. If nothing else, January Jones is drop-dead sexy as the ice-hearted telepath Emma Frost. Her outfits alone should keep the men's attention. The other two members of the Hellfire Club, Riptide and Azazel are seemingly throwaways, despite their comic history. Still, the teleporting Azazel manages to impress in the action sequences as a demented version of Nightcrawler (whom he fathered in the comic series). Riptide is well... a dude who can create tornadoes. While it looks cool, he tends to get beat up when involved a battle with other mutants. As he should.

I'm sorry... was I writing something?

Speaking of mutant fisticuffs, there's enough solid action scenes to go-around, though perhaps they're not as frequent as you would like. The personal relationships drive this plot more than anything else, which means you're going to be invested in these characters and their lives, which in turn makes it worth seeing. It might have oodles of dialogue, but it's certainly a superhero movie.

What keeps the X-Men story popular are its central themes. There's almost nothing more relate-able than teens just wanting to be socially accepted. Being attacked for your genetic characteristics is a battle that seemingly has no end and appears in our daily lives whether we clearly see it or not. If you can't find someone in these mutant-laden movies with whom to relate, you're simply not human.

So go see it, yes?